



This saying good-by on the edge of the dark
And the cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don’t want it girdled by rabbit and mouse,
I don’t want it dreamily nibbled for browse
By deer, and I don’t want it budded by grouse.
I don’t want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard’s the worse for the wintriest storm;
But one thing about it, it mustn’t get warm.
“How often already you’ve had to be told,
Keep cold, young orchard. Good-by and keep cold.
Dread fifty above more than fifty below.”
I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an ax—
Maples and birches and tamaracks.
I wish I could promise to lie in the night
And think of an orchard’s arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.
~Robert Frost from “Good-by and Keep Cold”



Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods. Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death. Even the sun has gone off somewhere… Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.
~Jane Kenyon from her essay “Good-by and Keep Cold” found in A Hundred White Daffodils



For two months now, we’ve heard hunters firing in the woods and the wetlands around our farm, most likely aiming for the ducks and geese that have stayed in the marshes through the winter.
The usual day-long symphony of birdsong is replaced by shotguns popping, in addition to hawks and eagle chittering, the occasional dog barking, while the bluejays and squirrels argue over the last of the filbert nuts.
In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth.
The horses confined to their stalls in the barns snort and blow as they bury their noses in flakes of last summer’s bound hay.
Yet today felt different – today, with unseasonably spring-like temperatures in early February, things feel about to change.
As yet, there have been no birdsong arias. I am bereft, listening for their blending musical tapestry waking me at 4 AM in the spring. And soon, the peeper orchestra from the swamps will rise and fall on the evening breeze.
It has been too, too quiet. I long for the music to return, not just the surround-sound of gunshot percussion, which is no melody at all.
I listen intently for early morning and evening serenades to return.
It won’t be long.





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